This architectural feature and narrative for Umpqua Bank incorporates laser engraved ash projections that represent the historic stairs of the Queen Anne neighborhood of Seattle.

Role: Design, illustration and Construction Documents
Designed with Ditroen in Portland, OR.
Fabrication: Laser etch on projecting ash slats.
Location: Umpqua Bank, Queen Anne, Seattle, WA

For this project I worked with the ZoomCare in-house design team throughout the design development phase to implement their new identity into all of their existing clinics.

Role: Experiential graphic design, elevation rendering, design deck
Designed with the ZoomCare design department in Portland, OR.

Various experiential graphics for Umpqua Bank.

Role: Illustration and mechanical production.
Designed with Ditroen in Portland, OR.

These displays were created as inspirational messaging for current and future patients, as well as communicate the Heart Center's mission and services. The installations are a combination of etched mirror and glass with paint infill, backlighting, and dimensional typography.

Role: Experiential graphic design, illustration, design deck, fabrication documents
Designed in collaboration with Ditroen in Portland, OR.

Interior and exterior experiential graphics, space planning, interior design, and mural art for a downtown Portland Umpqua Bank.

Role: Experiential graphic design, interior design, mural installation, illustration, design deck, and fabrication documents.
Designed with Ditroen in Portland, OR.

Custom branded interactive elements were designed for this children's interactive area at an Umpqua Bank location in Seattle.

Role: Design, illustration, construction documents, and mechanical artwork.
Designed with Ditroen in Portland OR.
Fabrication: Laser etched graphics, silkscreened graphics, acrylic applies, magnetic gears, routed maze.
Location: Umpqua Bank, Queen Anne, Seattle, WA

In this Intruders wallpaper series for Paper Paint Press, a collection of patterns were designed using insect watercolors by Carol Carter.

Role: Art direction, design, and mechanical production.
Designed for Paper Paint Press Small-Batch Wallcoverings in Portland, OR.

This interior branding project was developed as a way to communicate the USFS Region 6 recent brand refresh and updated mission to employees and visiting stakeholders. The agency's core values, history, partnerships, and broad scope of services within diverse Washington and Oregon forest regions are represented in a permanent exhibition across 6 floors of offices. The exhibit includes historic and contemporary photography, themed conference rooms, wall graphics, iconic illustrations, and room signage

With the offices located in a LEED Platinum building, many steps were taken to implement an equally environmentally sensitive graphics program as much as possible.

The signage was made from four species of central Oregon timber harvested by a logging industry partner as part of a forest rehabilitation and fire prevention project. The photography frames were made from reclaimed barn wood from central Oregon. Wallcoverings were made from a natural, bio-degradable material and zero-voc paint was used.

The conference room names were created to reflect the core values and each room is themed accordingly. In each room, a past project is showcased that relates to the room theme.

Role: Experiential graphic design, space programming, photography curation, vendor and production coordination.
Designed with Metropolitan Group in Portland OR.
Column illustrations: Liz Bradford – Oxhip Studio

This interior branding project involved creating a large-scale reception area map and a conference room photography installation. The map was designed as a way to educate visitors and stakeholders about the domestic and international work the agencies is involved in. It was produced as a magnetic wall mural that incorporates metal discs than can be placed at current areas of research in the pacific northwest region and abroad. An up-dateable take-away guide was also created for visitors to learn more about these research areas. The conference room installation is a deeper dive describing the agency's main focus areas and values. Some of the frames house interchangeable graphics that can be updated as new projects are completed.

Role: Experiential graphic design, fabrication documents
Designed with Metropolitan Group, Portland, OR.

Interior signage design for a Whole Foods Market in the Leaside neighborhood of Toronto. Many of the signs are built with locally-sourced reclaimed Oak and low-VOC painted steel.

Role: Experiential graphic design, construction documents
Designed with Blend Design Co.

This proposal designed with Portland studio Ditroen was the winning entry in the Denver Gold Line windscreen design competition. 

The nationwide competition was to affect the glass windscreen partitions at each platform along the new 7-station Gold Line commuter rail currently under construction. 

Our solution will be a track-length narrative describing gold's influence on the immediate area and surrounding region through both word and image. We'll be embedding gold-leaf text within the glass and creating large scale pattern and image through sandblasting and laser cut gold painted aluminum paneling applied to the glass.

The final designs will be created in Fall 2015 for installation in Summer 2016.

Logo design, bottle label, brand graphics, and legging designs for a natural wine producer in Willamette Valley, Oregon.

Identity, logo, menu design, and custom typeface for a natural wine tasting room and retail space in Portland, Oregon.

Set design for a two-part play at Manbites Dog Theater in Durham, NC.

Exhibit design and graphics for a historic house in Raleigh, NC.

Various logo designs.